By Jalynn Bugaj
F&S customer relations & communications intern

Five pieces of colorful, unique artwork now illuminate multiple spaces within Louise Freer Hall. The framed images portray activity in various forms.

Previously known as the Women’s Gymnasium, Louise Freer Hall, also referred to as Freer Hall, became the Department of Kinesiology in 2017.

Lori Hepner’s Artistic Vision

The art was created by Lori Hepner and was commissioned as part of the Freer Renovation Project.

The Call for Artwork (CFA) stated “The objective of the art is to advance what goes on within the department and make the space better for students who spend time in the facility. While not required, the artwork could speak to one or more of the following ideas: Human movement, Health, Wellness, Strength, Rehabilitation, community health. Artwork in the gym area should provide inspiration. Colorful scenic imagery is encouraged.”

Two pieces in the lounge area were created to add ambiance. Three were created for the gym area to provide color and inspire the users of the space.

The artwork was inspired by movement. Hepner creates the colors and patterns in the art through lights attached to her body. These lights record her movements, which are then captured by a computer.

When evaluating the art, interior designer, Erika Lee, appreciates how the artwork aligns with the building’s updated environment.

Lee claims that the addition of the artwork has positively impacted Freer Hall: “The artwork elevates the spaces with sophistication while paying tribute to Kinesiology, which is the study of movement.” Lee mentioned that there has been a lot of positive feedback about the artwork from members of the Kinesiology department.

Regarding the Freer Renovation Project overall, Lee feels that the art contributes greatly. “Artwork contributes to a positive experience within a facility and adds personality to what might have been a sterile space,” said Lee.

Artwork Installation Process

The artwork was installed by the carpenters and the plaques were installed by the ironworkers.

Carpenters Curtis Wayne and Sean Blanchard used screws to mount the artwork, which came with factory-supplied clips. They received drawings detailing exactly where each image was to be installed.

It took them about thirty minutes to hang each piece. “The walls were block, which is a very porous surface, making it more difficult as the placement of the installation screws needs to be extremely precise,” said Bob Weeks III, carpenter foreperson.

Attached is a link to a video demonstrating how Hepner creates the art: